Behind the focusing ring is the tilting mechanism. This consists of a large dial which you can use to tilt the lens you can move it all the way in either direction, or in smaller increments. Theres a smaller, dial for loosening up the main dial, with a locking switch next to it to lock the tilt in place.
As the Canon TSE mm f/. L Macro Lens has a maximum aperture of f/., it is capable of producing some attractive shallow depth of field effects. Bokeh is generally described in qualitative terms, such as smooth or creamy. The out of focus areas produced by the Canon TSE mm f/. L Macro Lens are rounded, smooth and generally very pleasing, but, recognising that this opinion can be subjective, we have included some samples for you to judge for yourself.
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This lens, with its focal length of mm, is aimed squarely at portrait and product photographers. It has macro capability of maximum magnification. Tilt shift lenses give you direct control over perspective and depth of field, achieved by moving different mechanisms on the lens without the need for Photoshop or editing trickery.
At the very back of the lens is a switch which you need to hold down if you want to rotate the lens. There are rotate positions available, to the left, to the right, and the centre standard position. It can be a little awkward to reach the rotate lever, as the cameras grip gets in the way.
One of the other things youll notice about the lens is the red ring around the front of it, which denotes that it is part of Canons professional L range.
Just behind this is a large focusing ring, which has a ridged ure to help you get a good grip on it. It has a good amount of give, and has hard stops at each end to help you know when youve set the lens to its maximum focus. The lens ring is also marked with focusing distance markers, as well as magnification ratio markers.
Next is the shift mechanism. The dial which controls this is much smaller than the tilt dial, it a little more difficult to get a good grip on it. Still, theres a decent amount of resistance, which you can control using the lock dial on the opposite side of the lens instead of a switch this time, you just need to tighten the dial to lock the shift in place.
In order to show you how sharp this lens is, we are providing crops on the following .
Tilt shift lenses use a much larger imaging circle than standard lenses, and as such tend to be much heavier, bulkier and larger than ordinary lenses.
When shooting subjects straight on, distortion is kept to a minimum something which wed expect from a focal length of this kind. You can engage the shift mechanism to prevent distortion when shooting buildings and the like but it is a lens which is reasonably unlikely to be voured by architectural photographers.
The Canon TSE mm f/. L Macro Lens has mm focal length. It is primarily designed for use with fullframe cameras, but if you were to mount it to an APSC camera, then the equivalent focal length would be mm. The angle of view mm is degrees.
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This lens is a little long to be used as an architectural lens, but its still possible to use it in some wide open spaces. You can also use it to create the toy town effect, but such a gimmicky effect is likely to be a limited use of such an expensive, specialist lens.
When shooting wideopen f/. and pointing the lens at a white wall, there is some degree of vignetting which can be easily seen. This is less likely to be problematic when shooting ordinary scenes, and is much less by the time you reach f/.
Where this lens is really well suited is to product and food photography, as well as portrait photography. You can use it to tightly control depth of field, for example, you could have both eyes in focus, while throwing out the in a portrait.
Constructed from elements in groups, there are diaphragm blades. The maximum aperture available is f/., rising to a minimum aperture of f/.
The Canon TSE mm f/. L Macro Lens is a designated macro lens, with a close focusing distance of . metres, and a maximum magnification ratio of . It is ideal for shooting traditional macro photographs, such as food, products and flowers.
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If you dont apply any of the mechanisms, you can use the Canon TSE mm f/. L Macro Lens as a standard prime lens although you wont benefit from autofocus.
Tiltshift lenses are generally much more expensive than equivalent standard primes, and in this case that makes the retail price of the Canon TSE mm f/. L Macro Lens around ,.
Chromatic aberration is typically characterised by purple or blue fringing along highcontrast edges in a scene. This is a lens which has been designed with the highest possible optical standards, and as such chromatic aberration doesnt seem to be obviously present in any shots. You may find some examples of it if you look extremely closely at very high contrast shots, but I have not found any which have a negative impact on the overall quality.
Like all tilt shift lenses, the Canon TSE mm f/. L Macro Lens is manual focus only. If youre using it for product photography with a tripod, its recommended that you switch to using Live View to enable you to more precisely focus.
The Canon TSE mm f/. L Macro Lens is a new specialist lens from Canon, launched at the same time as two other TSE Macro lenses, a mm and a mm. It is a replacement for the older mm f/. TSE lens, which was neither macro, nor L.
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